导演:弗兰克·博韦斯

编剧:弗兰克·博韦斯

主演:

类型:纪录片

制片国家/地区:[法国]

语言:法语

集数:内详

片长:75分钟

摘要:

更新时间:2022-04-25


剧情简介

    January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. France, still in shock from the November terror attacks, is in a state of emergency. I feel helpless, I suffocate with contained rage. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.

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网友评论

游客  2022-04-24
contre la laideur du monde/i see a darkness/后重看 「Les nuits de la pleine lune」|20190925Reflet AP重看
游客  2022-04-24
  January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45 I am now alone without a car a job or any real prospects surrounded by luxuriant nature the proximity of which is not enough to calm the deep distress into which I am plunged. France still in shock from the November terror attacks is in a state of emergency. I ...
游客  2022-04-24
社恐影迷的影像絮语,由作者在7个月时间内看过的400余部影片中的镜头拼贴而成,基本辨识不出几部片名(除了[飞向太空]),不过影片着力点也不在于此,影像与日记式的旁白之间时而无缝贴合,时而有着各异的隐喻距离,文本与影像、声音和画面间的对位关系既包蕴着诗意,又引人遐思。| 电影是镜子,不是窗户(这点个人不同意,二者共存交织)。 | 死在[天空属于你们]之前的父亲 | 电影是发泄,是逃脱,是复苏;电影是...
游客  2022-04-24
很庆幸无法从中辨认出任何一部电影的原作,也就避免了把创造性观看当作影迷游戏的风险。每个片段几乎都不存有其先在的语境,它们就像散落的句子、引言,全是引言,不知从何处而来的引言,本雅明的引言,在旁白(或许不该叫它“旁”的,而是内在的言说)的引力下成为自转的星系,好像只要继续说下去,就一直会有影像出现……被电影虚构出来的影像和原生的影像一样多。
游客  2022-04-24
形式是有趣的,画面与语言之间有一种若即若离的微弱引力。但我,或所有不懂法语者只能听见声音、看见文字,所以难以充分浸入,声画随着时间都逐渐失效了。